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Last
week I made the pilgrimage to Madrid to see the Goddess. The one they
call Shakira.
I
am a recent convert. I had been hearing about Shakira since the 90’s,
of course. But I always wrote her off as another of those dancing
stars who sing a bit. I’m more of a Beatles, Jimi Hendrix, Led Zep
kind of guy – the standard Baby Boomer. Then, sometime early
last year, the French
arts channel Arte put the
entire Oral Fixation Tour video
on replay. There was nothing better on TV, so I watched it. From end
to end. I was blown off my feet. I was mesmerized, transfixed,
discombobulated. This was not
another dancing star. This was one of the greats. An artiste who
rubbed shoulders with The
Beatles and Elvis and Bob Dylan. Her
lyrics vied with Lennon and Dylan. Her voice was operatic. She could
play a dozen instruments. She
could be hard rock, Latin, chanson française, pop, blues, standards.
And the dancing – oh my
dear God… she was music
made flesh. She made words, music and dance into an indivisible
whole. A goddess in human form.
I
was filled with shame, and chagrin. So many years wasted that I could
have been listening to her music. I
had to make up for lost time. I immediately ran out and bought all
her albums and DVDs.
I listened to them endlessly. I started learning Spanish to
understand her songs. I
watched all her videos on YouTube. I read all about her. I watched
all of her interviews. I realized she was not only a great artist,
but a wonderful human being
who had come up the hard way,
and was doing so much for
impoverished
children all over the world.
An inspiration. As
intelligent and deep as she was beautiful. I
watched one song from the Oral Fixation Tour video
every night, before going to
bed. It made my dreams sweet.
And
I longed to see her in person.
Luckily,
Shakira had recently dumped her moron of a husband and used the pain,
like any true artist, to come come up with a brilliant new album. Las
Mujeres Ya No Lloran. And she
announced a world tour to promote it, the Las Mujeres Ya No
Lloran World Tour.
I
waited and waited for the LMYNL Tour to come to Paris, but it stayed
firmly in the Americas. At
last, the Madrid Residency was announced, and I jumped at it. Madrid
is slightly more complicated to get to than Paris, from chez
moi in Lyon, but it is more
doable than US or Mexico. Tickets
were surprisingly easy to get, with so many dates to choose from. I
grabbed the October 9 date. I took the front row standing tickets.
They
were reasonably priced at 183 Euros.
My
wife Blandine is not a Shakira fan. She is resolutely French, and
refuses to listen to any music not produced by a compatriot. Florent
Pagny and Patrick Bruel are her thing. But I nagged, cajoled and
wheedled her into making it into a five day vacation in Madrid. I
have a horror of traveling alone.
Air
tickets booked, hotels reserved, days counted, one by one.
At
last, there I was. On the way to the concert on the Metro Line 3 to
Villaverde
to the Iberdrola Music
grounds, where Shakira had built for herself her own stadium –
Estadio Shakira –
and a small arts village to go with it. I
was all alone. Blandine
preferred to explore Madrid.
My
first view of Iberdrola Music grounds:
My
first view of Estadio Shakira:
A
long wait in the sun, with a slightly bossy security guard bullying
everyone into making straight lines.
The lines
kept going out of shape. Hey, this isn’t Germany! The cerveza
in the plastic Shakira cups helped, served
by kindlylife savers totingbig, sploshing beer
fountain backpacks. (Learn
this phrase: “Una cerveza, por favor”.
It may save your life some day, if you happen to be in Spain).
The
gates
opened. A mad rush to enter. To hell with the straight lines.
With a bit of luck and quick thinking – I ran in an outer loop
instead of joining the main bunch
heading for the center - I
ended up at the perfect position: the
corner of the main stage and ramp. And I was almost at the crash
barrier. Just two people ahead of me.
This
was my position:
Another
long wait in the sun, packed like a sardine. I was surrounded by a
platoon of plump dames from Nicaragua. They didn't much like standing
in the heat. They sat down. They scrunched down on the false grass,
by kind of slithering down vertically in the crush. One of them used
my foot as a cushion. My legs froze. Blood circulation stopped. Her
friend decided she had enough staring into a sea of smelly legs. She
tried to get up. It was impossible. Two frail girls tried to pull her
up. They couldn’t. I stepped in. I grabbed her biceps and yanked
her up. She slapped me jovially on the back and said something
complementary in Spanish. Something like “This was a man’s work”.
There is nothing that breaks the ice like grabbing a woman by the
biceps and yanking her up. She wrapped a meaty arm around my shoulder
and told me all about herself. She was from Nicaragua but was now
settled in the South of Spain, in Málaga.
The
screen started showing pictures Shakira in sexy clothing posing with
what seemed like plastic bottles of cosmetics. Were these ads? Our
goddess doing ads? I was dismayed. Oh well, I’m sure she uses the
funds to set up schools for poor children, so I guess it’s OK, I
said to myself. Later I found out that these were ads for Shakira’s
own Isima line of haircare products. Not finding anything on the
market suitable for Latino hair, she invented her own products. And
yes, she uses them herself. She covers her hair in this stuff in the
morning during rehearsals, and washes it off just before the concert,
so that her hair is that nice, fluffy, wavy thing that we all admire.
Then
the screen started showing old Shakira music videos, starting from
her very first one, when she was still a scowling, dark-haired,
guitar-slinging rock babe with an attitude, progressing slowly to her
gracious blonde goddess phase. A big relief. It took one’s mind off
from the heat and the crush and the bladder that was giving off
disturbing signals.
The
hour of the concert arrived. And went. But the videos went on. The
relief quickly grew into panic. Were they gonna announce that Shakira
had a tummy ache and couldn’t perform, and now that we’d watched
her videos, we could all go home? After all, she had canceled shows
before on the LMYNL tour. As each video ended, the crowd cheered, but
then another one started, and the crowd sighed, but sang along
loyally.
At
last, the screen went dark. The crowd cheered, this time with more
confidence.
And
then our goddess was in our midst.
I
must have seen her in over a thousand videos, but seeing her there,
in flesh, right in front of me, was a magical moment.
She
did all her stuff. Having already seen countless videos of the LMNYL
tour, there were no real surprises. The same songs, the dance moves,
the same gestures, the same funny expressions at the right places.
But at the same time, it was different. Seeing the same smile and
gesture in person was light years away from seeing it on screen. It
was somehow more real, more authentic, more human. Every move that
she made was blown up a hundred fold on the giant screen behind her.
But it wasn’t the same. I kept my eyes firmly on the tiny figure in
front of me.
And
then it was over.
I
was too busy burning every moment of the concert into my memory to
take pictures and videos, but I did take a few. After all, memories
fade. I needed something to relive these moments, a month, a year,
several years down the line.
Here
are some of those photos and videos…
As
I said, it is nothing like being there in person. You’ll have to go
to one of her concerts yourself, if you haven’t already. I
understand she has lined up a huge concert in Egypt, right in front
of the Pyramids. That should be something. I wish I could see that.